Exploring the dissolution between reality and illusion, Suárez  irreverently quotes  or rethinks images that dig deep  into contemporary aesthetic topics. In a particular overview in which he embraces the cinema (with a nod to cult Argentinian filmmaker, Leonardo Favio) Suárez makes reference to Sergio Leone’s westerns, Tony Scott, David Lynch, Tarantino, Tarkovsky and Wong Kar Wai, paintings of all times, his own photographs, and even stills from triple-x-rated  films (...)